Monday 18 May 2009

PREVIEW: The Cutting Room Experiement

Published: MANCHESTER CONFIDENTIAL, May 18th 2009.
"Dream yourself crazy: Thalia Allington-Wood previews The Cutting Room Experiment on 20 June. Will it really be ‘the biggest audience generated event in the world’?"

Selling itself as ‘the biggest audience generated event in the world’, The Cutting Room Experiment promises and aims to deliver much. Organised from their website (cuttingroomexperiment.com ), Cutting Room proposes twelve outdoor events/performances to fill their new public space in Ancoats – this is a handsome, monolith dominated square designed by Dan Dubowitz next to St Peter’s Church.

The idea is simple. You, the public, propose events. You, the public, vote on which proposals you think are best. You, the public, gather in hopefully large numbers and perform the 12 events you have chosen. There are very little restrictions and you are free to do something as silly or poignant as you wish. The events must involve mass participation. As Cutting Room state ‘think about a collection of people in a space, at one time, all doing something together. That's what the Cutting Room Experiment is all about’. Sounds fun.

The suggestions so far, hint at our desire to revert to good old childlike play. The most popular events include Space-hoppers, creating a huge brightly coloured ball-pool, (like indoor adventure playgrounds for under 7’s), and the world’s biggest game of ‘Twister’, and why not? I used to love my Space-hopper. I just hope someone suggests party bags and sandcastles to make the day complete.

If there is one qualm with Cutting Room’s ‘user generated event’: it’s the affiliation to ‘Flash Mobs’.

One of the most entertaining and crucial aspects of ‘Flash Mob’ events is the creation of chaos. Often performed in large and very busy public spaces - train stations, shopping malls, busy roads – they are organised like secret operations, and executed as such. They occur for a few minutes, suspending the daily routine. Then the participants disappear as if nothing had happened. They serve to highlight the monotony of everyday life and provoke response through fun and preposterous antics shrouded in mystery.

To have 12 of these events in a single day, all in the same designated space, seems to dilute the fun, mischief and surprise ‘Flash Mobs’ achieve.

But maybe I’m being churlish.

Overall the ‘Cutting Room Experiment’ (and it does use that word Experiment) is going to be bloody good fun. Its success depends entirely upon people becoming involved and participating on the day. 200 people doing the dance routine to Michel Jackson’s ‘Thriller’ would be visually arresting, 2 people doing so would not.

Ultimately The Cutting Room Experiment is offering a day of public art, made, performed, and chosen by the public. So let’s get people staring, dancing, laughing and looking gobsmacked on the streets of Manchester.

If you have an idea that you might want to turn into a Cutting Room spectacular then you need to get it in by 29 May. You can do this by posting it on cuttingroomexperiment.com.

LINK: http://www.manchesterconfidential.co.uk/Entertainment/Events-and-Listings/Dream-yourself-crazy

Thursday 7 May 2009

BLOG: "Graffiti: time to wave a white flag?"


Published: 'Art City' Blog, MANCHESTER EVENING NEWS, May 2009 (no longer online)




"Graffiti: time to wave a white flag?"

The other day I found myself staring, perturbed, at the Manchester Police website. Not being particularly paranoid about local crime, I was unfamiliar with their crime busting updates, which proudly announced that the police are “winning the fight against graffiti”.
Now not only is it slightly ridiculous that this was the ‘big news’ from Greater Manchester’s police force, capturing a dastardly drug dealer would have been more impressive, but it also highlights the public sector’s continually negative response to Graffiti.
The refusal of local councils and the government to curb their repressive policies on street art confounds me. Of course some antisocial ‘tagging’, (merely writing a signature on any available public property), is not particularly aesthetic. But when Graffiti is well executed it can be thought provoking and beautiful. The results can provide our streets with bursts of colour and inspiration.
Inspector Mark Davis’s remark: “There is nothing artistic about the daubing of graffiti. It is pure vandalism and has a negative impact on the lives of nearby residents” is, in many cases, simply not true.
I wonder what Inspector Davis would have to say about ‘The Arrival, Contemporary Urban Art’, the new show at The Potteries Museum & Art Gallery in Stoke on Trent. Featuring internationally acclaimed street artists such as Banksy, Adam Neale and Candice Tripp, it is the perfect case study for Graffiti as a respected art form.
Banksy’s once controversial, now coffee table, images are sold for thousands and are displayed in galleries across the globe. Apparently even Angelina Jolie and Brad Pitt have acquired one, surely showing consumer appeal.
Examples of the talent present in Manchester was showcased last year by the Upper Space Gallery, and can be seen on many a Northern Quarter corner. It might not be everyone’s cup of tea, but then what art is?
Expressing creativity in public spaces is something art is no stranger too. Continually commissioned, public art is actively endorsed as producing positive effects upon a community; promoting pride within inhabitants and economy via visitors.
Graffiti is a crime because it is unlicensed public art. If this changed, the creative ability of many would be encouraged, and their talent given a purpose.
Berlin is famous for it. America’s welfare policy in the 1930’s paid painters to decorate airports and libraries. Diego Riviera’s murals cover Mexico City, and are one of its biggest attractions. While in India adverts are hand painted on houses and walls, filling the streets with a mass of vibrant images.
That we are complacently bombarded with visual imagery does not need to be said, billboards, posters and huge TV screens fill Piccadilly already. I would rather see a mural than a printed advert for soap any day.
Street art should be utilized not penalized and given artistic recognition. Even the police force could find use for it…
For example Candice Tripp’s work ‘The Arrival’, part of the Stoke on Trent exhibition, depicts a young girl peeling herself off a white outline of her body. It would be a very efficient advert for road safety. Covering the side of a building with the ominous warning to not drink and drive, it would provide a vivid reminder of those being put at risk.

'The Arrival' Contemporary Urban Art
7 February 09 - 10 May 09
The Potteries Museum & Art Gallery
Bethesda Street, Cultural Quarter,
Stoke-on-Trent, ST1 3DW
Monday to Saturday 10.00am - 5.00pm, Sunday 2.00pm - 5.00pm